D) Film and literature

1. transferral of a work from one medium to another

2. ‘multimedial transposition' of material by one or several authors

3. the adaptation of individual motifs or structural techniques from film in the medium of literature, and vice versa

4. comparative analysis of the characteristics of filmic and literary codes and the conditions of production and reception specific to the two art forms

Screenplays

functional screenplays vs literary screenplays (published after major cinematic successes)

Film adaptations of literature

Areas of study:

1. the content of a film

2. various formal aspects

- character constellation

- narrative perspective

- spatial and temporal structure

- dialogue

- the distribution of the sections of narrative

- means of creating distance or an alienation effect, etc.

Lecture 6

New Media Genres

1. Diversity of media genres

2. Functions of media genres

3. Aspects of Radio Play Analysis

4. Aspects of Film and Television Analysis

Generic classification of individual programmes

• medium: print medium; acoustic medium; audiovisual medium

• main function of medium: report; reflection; appeal; game; reproduction

• thematic specifics: thematizing a milieu (for example, hospital, drug scene); topic-/story-oriented (for example, crime, sport)

• relation of medium to reality:

- with reference to people: credible/not credible (for example, news reader versus emotional witness);

- with reference to statements: true/false, factual/non-factual, fictitious;

- with reference to time: live, recorded or anticipatory presentation

Areas of enquiry in the analysis of radio plays

1. WORD

2. VOICE

3. MUSIC

4. NOISE

5. SILENCE

6. STEREOPHONIC SOUND

7. DISTANCE

8. RADIOPHONIC EFFECTS

Aspects of Film and Television Analysis

Main characteristics of the hybrid genre are:

• concentration on acoustic/visual units of 30 to 90 seconds (sound-vision bytes)

• the integration of elements from a variety of genres

• the incorporation of a variety of non-linear, overlapping plot structures

• loose ends in the final episode of the series

• a relatively clear structure of episodes and plots as well as repeated transmission of the same information

• a carefully-timed alternation between periods of suspense and emotional climaxes

• focus on reception-oriented aesthetics

Approaches towards the study of films

• Biographical

• Psychological

• Sociological

• Structuralist

• Hermeneutic

• Deconstructionist

• Feminist

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