A WORD ABOUT THE AUTHOR

Virginia Woolf (1882—1941) is a highly regarded essayist, novelist, critic, short story writer, diarist, and biographer, once the member of the well-known Bloomsbury Group. One of the most prominent literary figures of the twentieth century, Woolf is chiefly renowned as an innovative novelist, and in particular for her contribution to the development of the stream-of-consciousness narrative technique. Her first published works began appearing anonymously in 1904 in the Guardian.

Journalism occupied much of her time and thought between 1904 and 1909. Her fiction reveals an ongoing concern with the exploration of character and incident. Her famous works, including The Voyage Out (1915), Night and Day (1919), Jacob’s Room (1922), Mrs. Dalloway (1925) and To the Lighthouse (1927),represent the author’s distinctive narrative style, rejecting the boundaries of the traditional narrative form.

PRE-READING ACTIVITIES

1. What associations does the word ‘love’ evoke? Make the list of at least 10 items relevant. Explain your choice.

How do people usually meet? Socially? Professionally? Accidentally?

Give your ideas on the possible meeting places. What can be the most popular of them?

READING ACTIVITIES

Read the first part of the story. While reading it, try to focus on the “portrait” of Kew Gardens. What kind of place is it? Find in the text the descriptions that would prove your point of view.

From the oval-shaped flower-bed there rose perhaps a hundred stalks spreading into heart-shaped or tongue-shaped leaves half­way up and unfurling at the tip red or blue or yellow petals marked with spots of colour raised upon the surface; and from the red, blue or yellow gloom of the throat emerged a straight bar, rough with gold dust and slightly clubbed at the end. The petals were voluminous enough to be stirred by the summer breeze, and when they moved, the red, blue and yellow lights passed one over the other, staining an inch of the brown earth beneath with a spot of the moist intricate colour. The light fell either upon the smooth, grey back of a pebble, or the shell of a snail with its brown, circular veins, or, falling into a raindrop, it expanded with such intensity of red, blue and yellow the thin walls of water that one expected them to burst and disappear. Instead, the drop was left in a second silver grey once more, and the light now settled upon the flesh of a leaf, revealing the branching thread of fibre beneath the surface, and again it moved on and spread its illumination in the vast green spaces beneath the dome of the heart-shaped and tongue-shaped leaves. Then the breeze stirred rather more briskly overhead and the colour was flashed into the air above, into the eyes of the men and women who walk in Kew Gardens in July.

The figures of these men and women straggled past the flower-bed with a curiously irregular movement not unlike that of the white and blue butterflies who crossed the turf in zig-zag flights from bed to bed. The man was about six inches in front of the woman, strolling carelessly, while she bore on with greater purpose, only turning her head now and then to see that the children were not too far behind. The man kept this distance in front of the woman purposely, though perhaps unconsciously, for he wished to go on with his thoughts.

Go on reading. They say love has no time boundaries. In what way is this truth illustrated in the story? Do the characters live in the past, present or future? Study the text for the evidence required to prove your opinion.

“Fifteen years ago I came here with Lily”, he thought. “We sat somewhere over there by a lake and I begged her to marry me all through the hot afternoon. How the dragonfly kept circling round us: how clearly I see the dragonfly and her shoe with the square silver buckle at the toe. All the time I spoke I saw her shoe and when it moved impatiently I knew without looking up what she was going to say: the whole of her seemed to be in her shoe. And my love, my desire, were in the dragon­fly; for some reason I thought that if it settled there, on that leaf, the broad one with the red flower in the middle of it, if the dragonfly settled on the leaf she would say “Yes” at once. But the dragonfly went round and round: it never settled anywhere — of course not, happily not, or I shouldn’t be walking here with Eleanor and the children. Tell me, Eleanor. D’you ever think of the past?”

“Why do you ask, Simon?”

“Because I’ve been thinking of the past. I’ve been thinking of Lily, the woman I might have married....Well, why are you silent? Do you mind my thinking of the past?”

“Why should I mind, Simon? Doesn’t one always think of the past, in a garden with men and women lying under the trees? Aren’t they one’s past, all that remains of it, those men and women, those ghosts lying under the trees,... one’s happiness, one’s reality?”

“For me, a square silver shoe buckle and a dragonfly - ”

“For me, a kiss. Imagine six little girls sitting before their easels twenty years ago, down by the side of a lake, painting the water-lilies, the first red water-lilies I’d ever seen. And sud­denly a kiss, there on the back of my neck. And my hand shook all the afternoon so that I couldn’t paint. I took out my watch and marked the hour when I would allow myself to think of the kiss for five minutes only — it was so precious — the kiss of an old grey-haired woman with a wart on her nose, the mother of all my kisses all my life. Come, Caroline, come, Hubert.”

They walked on past the flower-bed, now walking four abreast, and soon diminished in size among the trees and looked half transparent as the sunlight and shade swam over their backs in large trembling irregular patches.

In the oval flower-bed the snail, whose shell had been stained red, blue and yellow for the space of two minutes or so, now appeared to be moving very slightly in its shell, and next began to labour over the crumbs of loose earth which broke away and rolled down as it passed over them. It appeared to have a definite goal in front of it, differing in this respect from the singular high stepping angular green insect who attempted to cross in front of it, and waited for a second with its antennae trembling as if in deliberation, and then stepped off as rapidly and strangely in the opposite direction. Brown cliffs with deep green lakes in the hollows, flat, blade-like trees that waved from root to tip, round boulders of grey stone, vast crumpled sur­faces of a thin crackling texture- all these objects lay across the snail’s progress between one stalk and another to his goal. Before he had decided whether to circumvent the arched tent of a dead leaf or to breast it there came past the bed the feet of other human beings.

This time they were both men. The younger of the two wore an expression of perhaps unnatural calm; he raised his eyes and fixed them very steadily in front of him while his companion spoke, and directly his companion had done speaking he looked on the ground again and sometimes opened his lips only after a long pause and sometimes did not open them at all. The elder man had a curiously uneven and shaky method of walking, jerking his hand forward and throwing up his head abruptly, rather in the manner of an impatient carriage horse tired of waiting outside a house; but in the man these gestures were irresolute and pointless. He talked almost incessantly; he smiled to himself and again began to talk, as if the smile had been an answer. He was talking about spirits — the spirits of the dead, who, according to him, were even now telling him all sorts of odd things about their experiences in Heaven.

“Heaven was known to the ancients as Thessaly, William, and now, with this war, the spirit matter is rolling between the hills like thunder.” He paused, seemed to listen, smiled, jerked his head and continued:

“You have a small electric battery and a piece of rubber to insulate the wire — isolate? — insulate? — well, we’ll skip the details, no good going into details that wouldn’t be understood - and in short the little machine stands in any convenient posi­tion by the head of the bed, we will say, on a neat mahogany stand. All arrangements being properly fixed by workmen under my direction, the widow applies her ear and summons the spirit by sign as agreed. Women! Widows! Women in black…”

Here he seemed to have caught sight of a woman’s dress in the distance, which in the shade looked a purple black. He took off his hat, placed his hand upon his heart, and hurried towards her muttering and gesticulating feverishly. But William caught him by the sleeve and touched a flower with the tip of his walking-stick in order to divert the old man’s attention. After looking at it for a moment in some confusion the old man bent his ear to it and seemed to answer a voice speaking from it, for he began talking about the forests of Uruguay which he had visited hundreds of years ago in company with the most beauti­ful young woman in Europe. He could be heard murmuring about forests of Uruguay blanketed with the wax petals of tropical roses, nightingales, sea beaches, mermaids, and women drowned at sea, as he suffered himself to be moved on by William, upon whose face the look of stoical patience grew slowly deeper and deeper.

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