АвтоАвтоматизацияАрхитектураАстрономияАудитБиологияБухгалтерияВоенное делоГенетикаГеографияГеологияГосударствоДомДругоеЖурналистика и СМИИзобретательствоИностранные языкиИнформатикаИскусствоИсторияКомпьютерыКулинарияКультураЛексикологияЛитератураЛогикаМаркетингМатематикаМашиностроениеМедицинаМенеджментМеталлы и СваркаМеханикаМузыкаНаселениеОбразованиеОхрана безопасности жизниОхрана ТрудаПедагогикаПолитикаПравоПриборостроениеПрограммированиеПроизводствоПромышленностьПсихологияРадиоРегилияСвязьСоциологияСпортСтандартизацияСтроительствоТехнологииТорговляТуризмФизикаФизиологияФилософияФинансыХимияХозяйствоЦеннообразованиеЧерчениеЭкологияЭконометрикаЭкономикаЭлектроникаЮриспунденкция

Give a summary of the article

Читайте также:
  1. Make up your own list of qualities that make a good foreign language teacher and compare it with the one given in the article.
  2. SUMMARY

П. What are the current trends in foreign-language teaching abroad? Read the following for information:

Many teachers using the audio-lingual method[3][5] had long wished for some improvement or modification of the accepted methodolo­gy . Although they found the memorization and pattern-practice exercises useful for the early stages, they felt a need to build a bridge from those highly structured activities to the freer, more creative use of the language at the intermediate and advanced levels. The audio-

<216>

lingual method and its proponents did not provide a satisfactory solution to this important problem.

Creative teachers, who early saw that a potential drawback помеха of the audio-lingual method was its tendency to be dull and uninspiring (for both student and teacher), tried to make the drills подготовки more interesting by varying their form, by providing a meaningful context, and by using visual aids. Resourceful teachers often succeeded admittably by such means. But there was a limit to what they could accomplish without making use of more "cognitive" activities.

Other sources of disillusionment with the audio-lingual approach were its emphasis on speech and the rigid order it prescribed for teaching the skills: listening, speaking, reading, and writing.

Judging from techniques and trends of the past few years, we can see that current thinking in methodology seems to be in the direc­tion of: (a) relaxation of some of the more extreme restrictions of the audio-lingual method, and (b) development of techniques requiring a more active use of the students' mental powers.

The trend toward a more active use of the students' mental pow­ers probably represents the most important effect of the current cog­nitive theory of language acquisition.[4][6] This mental activity goes well beyond the more passive "activity" that the audio-lingual method called for.

Viewing language learning as a natural creative process rather than as habit formation suggests that the teacher should provide guided practice in thinking in the language rather than mere repe­tition drill подготовка. Such mental involvement tends to make language learn­ing more enjoyable for the student — which must itself be a positive factor contributing to improved attitudes and better results.

This kind of mental activity is quite different from memorising grammar rules, as in the old grammar-translation method. Nor is it simply the manipulation of examples of grammar rules — an activi­ty that was largely discredited by the early proponents of the audio- lingual method.

(Abridgedfrom: "English Teaching Forum", 1974)

<217>


1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 |

Поиск по сайту:



Все материалы представленные на сайте исключительно с целью ознакомления читателями и не преследуют коммерческих целей или нарушение авторских прав. Студалл.Орг (0.003 сек.)